Here is my friend Becca wearing the new day dress I made for her. It's an 1860's capped sleeve day dress made using the Galla Rock pattern. This is the first time I ever used a Galla Rock pattern and overall I was very happy with it. There were a few things in the directions that didn't make sense to me. Such as the directions to pleating the skirt to the waistband. But ultimatly I ended up just doing it the way I wanted and it came out great.Which I'll explain in a little bit.The fabric is a beautiful chocolate brown cotton with bright pink flowers on it. The Victorians loved bright colors. And if you could see originals, you will see that often they used strange combinations of colors. Combinations today that we would think extreme.
At first I thought it would be too much brown. But with the bright pink fabric added in on the underneath of the caps, hem trim, and the fabric covered buttons it brought the flowers in the fabric out and blended beautifully with the chocolate brown.
I first started with taking Becca's measurements and then preceeded to cut out a muslin bodice on the size just larger than what her measurements were. It's much easier to take in than let out.
After the first fitting I knew where I had to make adjustments, and took the bodice in, shortened the waistline a bit as well as shorten the sleeves. Once that was done, we did another fitting just to make sure the bodice fit well. I also sewn in the muslin sleeves to see how well they would fit. When a good fit was achieved I took the muslin bodice apart and utilized that as my pattern pieces as well as used the muslin bodice as my lining. This saved on muslin fabric. I then constructed the bodice and before setting in the sleeves, added the caps and the piping on the armsyce of the sleeves. The caps I decorated with a pretty bright pink box pleat ribbon, and a chocolate brown soutache braid with velvet ribbon going through it.
My only issue I had with piping, is that in period time the piping was thin. Piping today is much larger and trying to achieve the correct thickness of the piping can be quite challenging.
The skirt was five panels measuring a total of six yards. This is a very very FULL skirt, and we could have gotten away with just four panels. The problem I had was trying to pleat six yards of fabric onto a small waistband. It took me about three days of trying to work it out, but I eventually managed to do so. And this is the issue I had with the pattern. It stated that the simplest way to pleat the skirt onto the waistband was to do a one directional pleat. That was the first issue. The second was that is stated to extend the waistband four inches beyond the waistline of the bodice. The problem there is now the skirt waistband would be three inches (after seam allowance) to long for the waistline and to pull the excess over to close the skirt. Would end up causing a strange "poof" in the fabric of the skirt.
Now, on the first issue I consulted my Who Wore What book by Juanita Leisch. It's the lady reenactors Bible!! It tells you pretty much every little detail a lady should know about her period clothing and in my opinion, is a necessary item for every lady reenactor!
In Who Wore What, it stated that one directional pleating was a myth, and most common waist treatments were either gathered, cartridge pleat, box pleat or two directional pleating. The two directional pleating was the most widely used treatment. And was done with the pleats in the front facing towards the front center with a inverted pleat in the front. And the pleats in the back facing the center back with another inverted pleat in the back. And two box pleats on each side. The gathered waist treatment was less used, as well as the box pleat. And the box pleat was more seen in in post war years.
The other notation made about waist treatments is that the opening of the skirt was set off center to the left .
Since I wasn't quite sure how to get the entire skirt what is refered to as "period correct", I decided to make it as period correct as I could get it. I did a two directional pleat on the skirt with inverted pleats in the front and back. I did not however get to put the box pleats in on the side, nor get the opening off center. But there is no rule saying I can't go back and redo the skirt over!!
Once the dress was constructed, the bodice was finished off with fabric covered buttons done in the same bright pink for the underside of the caps and the hem trim.
The hem was done period. The skirt itself was cut just a few inches short of the length needed and I sewn the pink fabric to the bottom of it. Right sides together. Then pulled it down so it was an extension of the skirt. I then measured three inches to give the full length we needed and folded the rest of the fabric underneath. Then pressed it and handsewn the hem down. The reason for the hem skirt is that since a lady's skirt often sweeps the floor in time it gets worn out quickly. It was much more feasible and easier to replace just a bottom hem of a skirt then the entire skirt. Since acquiring fabric during the war was often difficult and expensive!
The final touches were sewing the detachable collar and cuffs.
If you have any questions in constructing a Civil War period outfit, feel free to email me.